Jayanth trying his hand on the flute as a 2-year-old. When he began training formally under his grandfather, he already knew a few kritis and the basic techniques. By the time he was five, he also started fiddling with the flute, almost imitating how Sankaran played. Instead of the foundational swaras and talas, Jayant learned music by singing with his grandmother and listening to his grandfather’s music classes at home. He learned first under his grandmother and later under his grandfather, TS Sankaran, a well known flautist of his times, and a discipline of the maverick-genius musician TR Mahalingam (Mali). (Image by Rajappane Raju)īorn in a family with a history of Carnatic music, Jayanth, who was raised in Nasik, Mumbai, Kolkata and Chennai, ambled into the world of ragas and kritis as a toddler. Jayanth, still in his late twenties, is the most recognisable and sought after flautist in contemporary Carnatic music who also commands a considerable cross-over following in India and abroad. His music has cross-generic influences, he performs across the world, does collaborative work and even have an un-Carnatic sartorial style. Nothing happens naturally’Īmong the younger generation, he is probably one of the most well-spoken and cosmopolitan artistes. Varadarajan Interview: ‘The harder you work, the more gifted you get.
It’s both pastoral and urban and is peaceful, meditative and nuanced.Īlso Read | The S.
Even when he is playing the most Carnatic-sounding ragas such as Bhairavi and Kamboji, the sound of his flute appears universal and cosmopolitan. Although rooted in Carnatic traditions, Jayanth has a unique sound that often traverses generic barriers, thanks to his early exposure to Hindustani and other forms of music and cross-cultural collaborations. Lyricist&Composer: Dharamapuri Subbarayarĭon't forget to subscribe to our channel and also leave your response in comment sectionĮnjoy and Stay connected with us. SongName: Maara Vairi Ramani (Flute) 29:45 SongName: Manasa Sancharare (Flute) 04:21 Aware of young Ramani's keen interest in the Carnatic flute, Dr.N.Ramani's initiation to Carnatic music began at the age of five. Ramani first learnt music from his grandfather, Sri Aazhiyur Narayanaswami Iyer, a well-known flute artist and singer himself. Ramani was born into a family of flautists. Ramani was born in Tiruvarur, a city in Tamil Nadu which is honored by its association with the Trinity of Carnatic music. He made more than 30 concert tours outside of India. Dr.N.Ramani performed in all major states, sabhas and venues throughout India, as well as numerous destinations around the world, including the United States, Canada, France, Germany, Switzerland, Sri Lanka and other countries.
Ramani performed his first concert at the age of 8. It is a compilation of very popular Carnatic Instrumentals such as Marugelara (Flute), Manasa Sancharare (Flute) and Mamavasadha (Flute).Ī rare evergreen Carnatic Instrumental collection ““Divine Melodies - Best Of Dr.N.Ramani Flute Classical Music” is going to mesmerize our listeners. The evergreen Carnatic Instrumental collection “Divine Melodies - Best Of Dr.N.Ramani Flute Classical Music” is a rare collection of songs. Divine Melodies - Best Of Dr.N.Ramani Flute Classical Music | Carnatic Instrumental Evergreen Songs
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